They’re now more transparent and not adding a lot of phase shift or distortion when you insert them. The plug-ins have stepped up a lot in the last few years, with the distortion and saturation plugs having improved immeasurably.
#Waves h delay hybrid delay lexicon pcm42 & modern delay pro
I’m very deep into the whole digital mixing process and do all of my work in Pro Tools. I still do mix quite a few things in the box though, especially when I’m out traveling. 16 channels of analog makes a big difference to me in terms of power and depth of field. I have a Neve 8816 with 16 channels coming out of an Avid 192 D/A with an Alan Smart C2 compressor across the mix buss. What I’m into is a sort of hybrid mixing. I can mix in the box if I have to but it’s certainly not my preferred way of mixing. I get sent digital files and I sort of end up making those mix/production decisions on my own and end up delivering a more or less finished mix to the producer or the band, then I’ll get notes on what to tweak.Īre you mixing on a console or in the box? It’s less so now because I see so fewer people. The first 20 years of my career I had a producer standing right next to me, telling me what parts were important.
I then find whether there’s something that’s really important that I should make the listener aware of. I make a judgment on style and then go through a couple hours familiarizing myself with all the parts, then I try to see what’s really crucial and what could be wallpaper. I think that I probably make some subconscious and non-verbal judgements when I first hear a song. In this excerpt from The Mixing Engineer’s Handbook 3rd edition, Bob discusses what he uses for plug-ins and his use of the mix bus compressor.īobby Owsinski: Can you hear the final product in your head when you begin to mix?īob Brockman: Yeah, probably. Blige, Toni Braxton, Brian McKnight, Faith Hill, Korn, Christina Aguilera, P Diddy, Santana, and Sting among many others. “Bassy” Bob Brockman has a wide range of awards and credits, including more than 30 Grammy nominations with two wins, and an Oscar nomination. This article is provided by Bobby Owsinski.
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